Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 098. | The oppna terrangen am failing giraffe favoritmiljo | Sexy body, female nudes, classical nudes 80 | Arab or Arabic people and life. Orientalism oil paintings 353 | Portrait of Marie Leszczynska, Queen of France | Related Artists:
Walter GramatteWalter Gramatte (8 January 1897 in Berlin - 9 February 1929 in Hamburg) was a German expressionist painter who specialized in magic realism. He often painted with a mystical view of nature.
Walter Gramatte died on 9 February 1929 of Intestinal Tuberculosis.
His second wife Sonia married again, was then named Sophie Carmen Eckhardt-Gramatte and lived in Canada as a renowned musician. To remember her and her former husband Walter Gramatte „The Eckhardt-Gramatte-Foundatione was established in Winnipeg, Canada.
Walter Gramatte's written posthumous works are preserved in the German National Museum.
A special exhibition of his paintings, titled Rediscovered: Walter Gramatte 1897-1929, took place in Hamburg Ernst Barlach Haus from October 26, 2008 to February 1, 2009. This exhibition was organized by Kirchner Museum in Davos, Switzerland and the Ernst Barlach Haus in Hamburg, Germany.
Gyorgy Vastaghpainted A karvallott cigany in 1886
Pavel Chistyakov (July 5 [O.S. June 23] 1832 - November 11, 1919) was a Russian painter and teacher of art.
He studied at the St.Petersburg Academy of arts (1849-1861) under Petr Basin. He was a pensioner of the Academy of Arts in Paris and in Rome (1862?C1870). He taught in the Drawing School of the Society for the Encouragement of the Arts (1860-1864), and in St.Petersburg (from 1872) he was the professor-head of workshop (1908-1910) and managing mosaic branch (1890-1912). The art-pedagogical system of Chistiakov, whose students included Viktor Vasnetsov, Mikhail Vrubel, Vasily Polenov, Ilya Repin, Valentin Serov, and Vasily Surikov, developed in constant struggle against the inert system of academism and played a huge role in the development of realism in Russian art of the second half of the 19th century.
The main goal of Chistiakov was the preparation of the artist-citizen possessing high professional skill. His pedagogical method assumed the merger of the direct perception of nature by the artist with its scientific study. In creative practice he aspired to dramatization of a historical plot and psychological saturation in historical and genre portraits (Head of a Ciucciara, 1864, in the Russian Museum,
